Lamentation: Production documents

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Here are the documents that I have done for the entirity of the production of “Lamentation”:

Camden Film Office (permit)

City Of London (permit)

City Of London (permit – part 2)

Location release form (corner shop)

Actor release form (David)

Lamentation (pitch)

Overall Schedule

Overall Schedule (detailed)

Shooting Schedule (Day 1 of 4)

Shooting Schedule (Day 2 of 4)

Shooting Schedule (Day 3 of 4)

Shooting Schedule (Day 4 of 4)

Call Sheet (Day 1 of 4)

Call Sheet (Day 2 of 4)

Call Sheet (Day 3 of 4)

Call Sheet (Day 4 of 4)

Risk Assessment (House)

Public Liability Insurance


Lamentation: First shoot day!


Today was our first shoot day of our final year film!

Crazy to think that we’ve already got up to this point.

Now onto the day itself: the night before I finished up the last touches on the call sheet and sent it out to the cast and crew and let them know to be on location by the time it was determined.

As soon as I arrived at 9am, Alex was already there so we just walked to the location where we were going to film in Hampstead High Street. When we got there I immediately went inside the corner store and talked with Mr. Sups Nanji, who is the owner of the shop, and explained to him once more what we were going to do in relation to how the filming would take place.

His wife had already been briefed by me, the week before, and Mr. Nanji was quite ready to help and didn’t impose anything against it. After he signed the location release form, he actually started to help me and Alex move some of the items that were present outside of the store, inside so it wouldn’t interfere with any of the filming process.

As that was done, the rest of the crew started to arrive and as soon as everyone was finishing setting up, me and Erin (the runner) went to get David (the actor) from the nearby Starbucks where he had been waiting for the past hour and a half (he arrived nearly two hours before his call time!) with his cup of tea, and accompanied him to the filming location.

The filming went over smoothly apart from a couple of sound glitches since the adaptor for the headphones that connected to the R-44 sound equipment were missing which forced us to record sound blind for the rest of the day.

MDA 1400: “Personal Space” (Assignment 1)



In this post I will go through what happened and what I learned during filming of our recent short film assignment for the new module MDA 1400 Production Theory and Practice. I will start off just recapping what we needed to do in this project, full description in this post:

  1. Do a short film based on our understanding of ‘space’.
  2. Work in teams of two.
  3. Get it done and by 6th February.

Yeah, that’s basically it.

So after we re-decided on what we wanted to do (because our original idea was quite different), we got on to finding a location and an actress which ended up being a friend of the Director (let’s nickname her D, so it won’t be that repetitive!) from my group and the location was the actress’s dorm room in Usher Halls. From the moment we got into the room with the heavy lighting equipment, tripod, camera and clapper board, we had to figure out where to put them, how and where to set up the lights so D could get the best shots out of the scenes we needed. After we did that, I started setting up the lights and D started going through the settings on the camera, I discovered that one of the future fill lights had absolutely no barn doors whatsoever. I can say, sarcastically, that that proved to be some happy times for myself. We fooled around with only the key light for a while, trying different positions of both the light and the camera, only to discover that could not shoot it with only that light due to poor lighting conditions which resulted also in a lot of shadows on the actress. So I came up with the idea of using the no barn doors light and used the actress’s pillow case over it so it would act as a light diffuser. And no I did not just throw the pillow case onto the hot light, but I did hold it at a safe distance from it during the entire shoot. I call that commitment. I proceeded to point the light to the wall, then with the pillow case acting as a diffuser, the light bounced off the wall and into the actress which made us figure out that it actually looked good on the camera’s monitor so we went with it.


Photos of the location prior we began shooting.

Production schedule

‘Personal Space’ Risk Assessment

Production documents.

It was around a 3/3.5 hours shoot, and it was tiring. But by the end of the day we were content with what we had and under the circumstances with the lighting equipment, we felt that we did our best. So then on the 4th February (we shot it on the 2nd February), we spent pretty much the whole afternoon in the Edit Suite, editing our film away and only finished it on the 6th.

Overall it was an enjoyable experience, and I can say that I learned a lot from it, mostly dealing with the lighting equipment which made me quite proud that I remembered a way we could still make the most out of lighting our location as well as the fact that I edited our film, having only learned the basics of editing during our time in the editing suite thanks to two awesome friends of mine. Thanks guys, couldn’t have done it without your help as well. And in the two next days, I edited most of it with no help. So I liked this experience.

Personal Space (credits)

Module induction and “Space” assignment


In this class we mostly talked about what our new Module Handbook contained, future workshop opportunities and were given the brief regarding the new “Space” assignment due on 6th February.

This assignment that in groups of two, one being the Producer and the other the Director, create a 2-5 minutes short film about what is our personal idea of space. Meaning, what is our own interpretation of what space can be and to portray that accurately on screen. This can be intellectual space, cyberspace, any thoughts relating to darkness, loneliness, observation, amongst others. It is also part of the brief the fact that we need to find our own crew by ourselves and that we need to document all that we’ve done in our blogs. Well… At least of one those I can already scratch out of my list. So from here we were randomly paired up and I choose the Producer role and my colleague the Director role. After the class finished we both sat down and started trying out different ideas and interpretations until we finally decided upon a story that we both enjoyed. The only real downside from this is that we only have one week to shoot and edit it to completion! This will prove to be a challenge indeed.