Dissertation project: Production documents

Hello!

In this blog post I have attached all of the productions documents that I have created and used throughout the entire length of pre-production all the way during the actual production days of both of my dissertation films.

Firstly I have attached links to my pitch alongside my dissertation proposal:

MDA 3400: Pitch presentation

MDA 3400: Project Proposal

 

All documentation for”Bad Coffee” (mental health drama):

BAD COFFEE (Production Schedule)

Ethics Board Committee (Bad Coffee)

Bad Coffee: Call Sheet (Day 1 of 4)

Bad Coffee: Call Sheet (Day 2 of 4)

Bad Coffee: Call Sheet (Day 3 of 4)

Bad Coffee: Call Sheet (Day 4 of 4)

Copyright waiver (Director of Photography)

Actors and Extras Agreement

Actors Agreement (cont.)

Bad Coffee (Budget sheet)

Risk Assessment (Sunny Hill Park)

Reel Film Locations – Permit

Filming permission (Room W142)

Audition Schedule (2nd March 2016)

Audition Schedule (4th March 2016)

Crew/Cast/Props/Catering List

 

All documentation for “The Sea Room” (experimental documentary):

THE SEA ROOM (Production Schedule)

Ethics Board Committee (The Sea Room)

Risk Assessment (Transporting equipment abroad)

THE SEA ROOM – Crew and Equipment list

Shooting Schedule: Day 1 of 4 (12th January 2016)

Shooting Schedule: Day 2 of 4 (13th January 2016) 

Shooting Schedule: Day 3 of 4 (13th January 2016) 

Shooting Schedule: Day 4 of 4 (15th January 2016) 

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ORANGE GIRL: 1st script draft + potential sound operator

I’ve been discussing with Jonas, for a while, the notion of how we wanted our story to be presented on screen. This is something that’s been discussed thoroughly throughout the various meeting we’ve had thus far.

And because there are so many ways the story could be told, as soon as we decided on whose point of view it would be told through, slowly the rest started to fall into place.

We knew we wanted it to be told through Jonas’ POV, to have various archival material (photographs/videos of Aiste, home movies of hers, video recordings of both of them together, etc), to shoot in Lithuania where they met, and for their relationship to be showcased in all its truthfulness.

So from there, I gave Jonas the deadline of sending me until tonight the 1st script draft, so we could decide together if this was the way we wanted the story to go or if we needed to have some changes on how it should be told.

I have also been on the hunt of a really good sound operator to come on this journey with us and initially Peter Williams showed a big interest in the project but later, me and him discovered that his schedule was incompatible with the time we planned on filming so he advised me Martin (from the loan store) as a replacement.

We exchanged a few emails and he is quite keen to be part of this project as well and the only potential issue that he’s facing is the need to find someone who can do his shift during our week of shooting, so he can commit to us fully.

I gave him until the end of next week, to tell me if he is able to be part of this project. If not, I am moving to plan B.